“I knew it was over when I didn’t want to show him my Savage X Fenty set”
How Savage X Fenty transformed my view on the male gaze. Let’s call him…Jake. For about six months or so, Jake became the luckiest man in the world. Why? Well, he was dating
GUAP X CULTURA CREATIVE PHOTOGRAPHY COMPETITION
Written by: Elsie Cullen CULTURA CREATIVE today announces the winners of its first new Photo Competition in parallel with GUAP magazine initiative to celebrate Black Photographers and encouraging excellence in creativity. The
Therapy: What’s all the big fuss about?
Until I was asked what all the big fuss was about I had not really processed the benefits of therapy. Growing up therapy seemed inaccessible simply because I did not know anyone
Nwando Ebizie’s latest art project explores her own neurodivergency: A Visual Snow Alternate Reality
British-Nigerian multidisciplinary artist Nwando Ebizie creates Afrofuturist speculative fictions and alternate realities at the intersection of live art, experimental music and multi-sensory installations. She proposes new myths, rituals and provocations for perceptual
Kevin Bray, Artist and Video Maker Whose Perpetual Music Video Morpher, Accurately Reflects the Non-Linear Reality of Our Times.
Kevin Bray is a multidisciplinary artist whose work is the present-day extension of an ever-evolving discourse on technology as a tool and our relationship to it. Contribution by Andrea Susarrey. Kevin Bray
Multi-disciplined creative director [@Moshoodat] shares her journey
Creative Director Moshoodat Sanni is widely recognised for her stunning beauty concepts across various industries. Moshoodat’s work consists of bold body and face paint which is impossible to recognise. Starting her journey
The Best of Enemies: Why people of color and the white working-class must unite in the struggle for justice
“Best of Enemies” Starring Taraji P.Henson as Civil Rights Activist Ann Atwater, reminds me of the call to interdependence needed between oppressed communities today. Contribution by Cilla Lafayette. The selective repudiation of oppressive